PORTRAITS
Having studied printmaking in college (woodcuts mostly), it was a thrill to get back into creating portraits. It took me a few to get back into the swing of things, but once I got back into it, I expanded my technique immeasurably.
The basic strategy of creating a traditional print is (very simply put) to map out areas of color, then create a composite of all the colors for a final product that comes alive.
Creating a portrait in Photoshop is similar in some ways, and everything I learned in college laid a foundation that I use to this day. What computer-based portraiture lacks in organic feel (lacking the woodgrain) it makes up for in speed and flexibility.
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The perfect type of face for a portrait using this technique – i.e. breaking the image down to banded areas of color. Wrinkles and crevices make for the most interesting facial landscapes, and emotional intensity goes a long way.
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For whatever reason, Mark Zuckerberg was used to illustrate what felt like every other story on Salon for a little while. When a particularly interesting story came at me, I decided to blast out a fast illustration of him – probably done in under an hour.
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When working on a portrait of a person who has been accused of doing something awful, one gets the opportunity to make some choices with colors and facial distortions that might otherwise be inappropriate.
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There was no shortage at this time of Salon stories for which this illustration would do the trick. I spent my down time over a few days to work this up, then waited a day or two until a big cover story came along about this pair.
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With fun headlines come fun illustrations. And the headline for this story was “Steve Bannon, Bolshevik: Maybe Donald Trump’s alt-right Svengali really is a ‘Leninist.'”
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For a story about how a concerted move was on to burnish George W. Bush’s legacy, I chose a photo of him to work from that featured a hazy lighting effect that tied in with the theme, and a facial expression that implies that he is soaking in adoration.
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Salon published a gift guide centered around characters from movies and television shows. It was an incredibly fun project, though it is always a ton of work – creating a dozen or so portraits in addition to an original type treatment.